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Whether
they work inside studios, have multi-picture deals with
studios or shop their projects around, producers put
together the package to make a film — often with
financing from investors whose names are not public.
Then they keep an eye on the bottom line.
If
producers think that tobacco images will make a film
cost more or earn less, they will discourage them. Sex,
menace, spectacle, a strong story, and stars all sell
tickets. Smoking does not.
The
49 producers listed below in Table
1 — about 4 percent of all producers active
since 2004 — are responsible for fully one-third
of all recent movies with smoking. More than half of
their smoking films were youth-rated.
Ask
these successful producers to keep smoking out of their
future youth-rated films…to stop displaying brands…and
to certify that nobody connected to their future productions
accepts any consideration to put smoking on screen.
Only
one out of a hundred producers of multiple films since
2004 (listed in Table 2) has a
100% smokefree record. One-third of recent films have
been smokefree (230 out of 680), but most producers
involved in these films also packaged films with smoklng.
Here are the dozen producers with more than one film
released since 2004 whose films are all smokefree.
Table
1. Producers of four or more movies with smoking,
2004-7 |
| Production
company (affiliation) |
Producer |
Movies
with tobacco imagery |
Tobacco
content
(0-5 scale) |
MPAA
rating |
%
of producer's films with tobacco |
Scott
Rudin
(Disney) |
Scott
Rudin |
Life
Aquatic, The |
5 |
R |
80% |
| Darjeeling
Limited, The |
5 |
R |
| Manchurian
Candidate |
2 |
R |
| Margot
at the Wedding |
2 |
R |
| Stepford
Wives |
1 |
PG-13 |
| Village,
The |
1 |
PG-13 |
| Freedomland |
1 |
R |
| No
Country for Old Men |
1 |
R |
| Lakeshore |
Gary
Lucchesi
Tom Rosenberg |
Wicker
Park |
2 |
PG-13 |
80% |
| Undiscovered |
2 |
PG-13 |
| Feast
of Love |
2 |
R |
| Exorcism
of Emily Rose, The |
1 |
PG-13 |
| Covenant,
The |
1 |
PG-13 |
| Last
Kiss, The |
1 |
R |
| Crank |
1 |
R |
| Underworld:
Evolution |
1 |
R |
Working
Title
(GE: Universal) |
Tim
Bevan
Eric Felner |
Atonement |
5 |
R |
64% |
| Bridget
Jones: Edge of Reason |
4 |
R |
| Hot
Fuzz |
3 |
R |
| Smokin'
Aces |
3 |
R |
| Interpreter,
The |
2 |
PG-13 |
| Catch
a Fire |
1 |
PG-13 |
| Elizabeth |
1 |
PG-13 |
Imagine
(GE: Universal) |
Brian
Grazer
Ron Howard |
American
Gangster |
5 |
R |
88% |
| Cinderella
Man |
4 |
PG-13 |
| Alamo |
2 |
PG-13 |
| Inside
Man |
2 |
R |
| Da
Vinci Code, The |
1 |
PG-13 |
| Friday
Night Lights |
1 |
PG-13 |
| Fun
with Dick and Jane |
1 |
PG-13 |
| Avi
Arad |
Avi
Arad |
Punisher,
The |
3 |
R |
75% |
| Spider-Man
2 |
2 |
PG-13 |
| Ghost
Rider |
2 |
PG-13 |
| Fantastic
Four |
1 |
PG-13 |
| X-Men
3 |
1 |
PG-13 |
| Spider-Man
3 |
1 |
PG-13 |
| Spyglass |
Gary
Barber
Roger Birnbaum
Jonathan Glickman |
Balls
of Fury |
2 |
PG-13 |
60% |
| Lookout,
The |
2 |
R |
| Invisible,
The |
1 |
PG-13 |
| Rush
Hour 3 |
1 |
PG-13 |
| Perfect
Score |
1 |
PG-13 |
| Hitchhiker's
Guide to the Galaxy |
1 |
PG |
| Di
Bonaventura (Viacom) |
Lorenzo
di Bonaventura |
Constantine |
5 |
R |
75% |
| Derailed |
2 |
R |
| Four
Brothers |
2 |
R |
| 1408 |
2 |
PG-13 |
| Stardust |
1 |
PG-13 |
| Shooter |
1 |
R |
Hyde
Park
(News Corp.) |
Ashok
Amritraj |
Raising
Helen |
3 |
PG-13 |
100% |
| Death
Sentence |
3 |
R |
| Shopgirl |
2 |
R |
| Premonition |
1 |
PG-13 |
| Walking
Tall |
1 |
PG-13 |
Apatow
Prod.
(GE: Universal) |
Judd
Apatow |
Anchorman |
4 |
R |
83% |
| Talladega
Nights |
2 |
R |
| Walk
Hard |
2 |
R |
| Superbad |
2 |
R |
| 40-Year-Old
Virgin, The |
1 |
R |
Red
Wagon
(Sony) |
Lucy
Fisher
Douglas Wick |
Memoirs
of a Giesha |
4 |
PG-13 |
83% |
| Jarhead |
3 |
R |
| Win
a Date with Todd Hamilton |
2 |
PG-13 |
| Peter
Pan |
1 |
PG |
| Bewitched |
1 |
PG-13 |
Happy
Madison
(Sony) |
Jack
Giarraputo
Adam Sandler |
Deuce
Bigelow |
3 |
R |
83% |
| Longest
Yard |
2 |
PG-13 |
| Benchwarmers |
1 |
PG-13 |
| Click |
1 |
PG-13 |
| I
Now Pronounce You Chuck and Larry |
1 |
PG-13 |
Weed
Road
(Time Warner) |
Akiva
Goldsman |
Mr.
And Mrs. Smith |
1 |
PG-13 |
83% |
| Poseidon |
1 |
PG-13 |
| Constantine |
5 |
R |
| Starsky
& Hutch |
3 |
PG-13 |
| Mindhunters |
3 |
R |
| Phoenix |
Mike
Medavoy
Arnold W. Messer |
Zodiac |
5 |
R |
83% |
| All
the King's Men |
5 |
PG-13 |
| Resurrecting
the Champ |
3 |
PG-13 |
| Stealth |
2 |
PG-13 |
| Pathfinder |
1 |
R |
New
Regency
(News Corp.) |
Arnon
Milchan |
Man
on Fire |
3 |
R |
50% |
| Stay |
2 |
R |
| Sentinel,
The |
1 |
PG-13 |
| Mr.
And Mrs. Smith |
1 |
PG-13 |
| My
Super Ex-Girlfriend |
1 |
PG-13 |
Original
Film
(Sony) |
Neal
H. Moritz |
XXX
2 |
2 |
PG-13 |
71% |
| Stealth |
2 |
PG-13 |
| Fast
and Furious 3 |
2 |
PG-13 |
| Click |
1 |
PG-13 |
| Torque |
1 |
PG-13 |
Parkes/
Macdonald
(Viacom) |
Walter
F. Parkes
Laurie Macdonald |
Kite
Runner, The |
3 |
PG-13 |
62% |
| Lookout,
The |
2 |
R |
| Legend
of Zorro |
2 |
PG |
| Terminal |
1 |
PG-13 |
| Sweeney
Todd |
1 |
R |
| Morgan
Creek (Program) |
James
G. Robinson |
Two
for the Money |
5 |
R |
83% |
| Good
Shepherd, The |
5 |
R |
| Exorcist:
The Beginning |
2 |
R |
| Man
of the Year |
2 |
PG-13 |
| Georgia
Rule |
1 |
R |
| Bob
Yari |
Bob
Yari |
Find
Me Guilty |
3 |
R |
83% |
| Resurrecting
the Champ |
3 |
PG-13 |
| Hostage |
2 |
R |
| Crash |
2 |
R |
| Block
Party |
2 |
R |
BenderSpink
(Time Warner) |
Chris
Bender
J.C. Spink |
Butterfly
Effect, The |
3 |
R |
80% |
| Red
Eye |
1 |
PG-13 |
| Monster-in-Law |
1 |
PG-13 |
| A
History of Violence |
1 |
R |
| Bona
Fide |
Albert
Berger |
Ice
Harvest |
3 |
R |
100% |
| Cold
Mountain |
2 |
R |
| Little
Miss Sunshine |
1 |
R |
| Bee
Season |
1 |
PG-13 |
| Evolution |
Mark
Burg
Gregg Hoffman
Oren Koules |
Saw
II |
2 |
R |
100% |
| Saw |
1 |
R |
| Dead
Silence |
1 |
R |
| Saw
IV |
1 |
R |
| Reuben
Cannon & Associates |
Reuben
Cannon |
Diary
of a Mad Black Woman |
2 |
PG-13 |
66% |
| Madea's
Family |
2 |
PG-13 |
| Woman
Thou Art Loosed |
1 |
R |
| Daddy's
Little Girl |
1 |
PG-13 |
Davis
Entertainment
(News Corp.) |
John
Davis |
Ant
Bully, The |
5 |
PG |
29% |
| Flight
of the Phoenix |
2 |
PG-13 |
| Paycheck |
2 |
PG-13 |
| Norbit |
1 |
PG-13 |
| Next |
Mike
Fleiss |
Hostel |
3 |
R |
100% |
| Hostel
2 |
3 |
R |
| Poseidon |
1 |
PG-13 |
| Texas
Chainsaw Massacre |
1 |
R |
| Battleplan |
Marc
Frydman |
Resurrecting
the Champ |
3 |
PG-13 |
100% |
| Jacket,
The |
3 |
R |
| Welcome
to Mooseport |
1 |
PG-13 |
| Flyboys |
1 |
PG-13 |
| Gran
Via |
Mark
Johnson |
Alamo |
2 |
PG-13 |
100% |
| Notebook,
The |
2 |
PG-13 |
| Hunting
Party, The |
2 |
R |
| Chronicles
of Narnia |
1 |
PG |
| Sidney
Kimmel |
Sidney
Kimmel |
Talk
to Me |
5 |
R |
100% |
| Alpha
Dog |
4 |
R |
| Trust
the Man |
1 |
R |
| Lars
and the Real Girl |
1 |
PG-13 |
Initial
(Time Warner) |
Graham
King |
Blood
Diamond |
5 |
R |
100% |
| Aviator,
The |
3 |
PG-13 |
| Departed,
The |
3 |
R |
| Next |
3 |
PG-13 |
Infinity
Media
(First Look) |
Michael
Ohoven |
Capote |
5 |
R |
66% |
| Saved! |
3 |
PG-13 |
| Devil's
Rejects |
2 |
R |
| Pride |
2 |
PG |
Plan
B
(Viacom) |
Brad
Pitt
Dede Gardner |
Running
with Scissors |
5 |
R |
100% |
| Assassination
of Jesse James |
5 |
R |
| A
Mighty Heart |
4 |
R |
| Departed,
The |
3 |
R |
Cheyenne
(News Corp) |
Arnold
Rifkin |
Who's
Your Caddy |
3 |
PG-13 |
80% |
| Whole
Ten Yards, The |
2 |
PG-13 |
| Hostage |
2 |
R |
| 16
Blocks |
1 |
PG-13 |
Double
Feature
(Viacom) |
Michael
Shamberg
Stacey Sher |
Be
Cool |
3 |
PG-13 |
66% |
| World
Trade Center |
3 |
PG-13 |
| Skeleton
Key |
2 |
PG-13 |
| Reno
911: Miami |
2 |
R |
Silver
Pictures
(Time Warner) |
Joel
Silver |
Kiss
Kiss Bang Bang |
4 |
R |
66% |
| Brave
One, The |
3 |
R |
| V
for Vendetta |
2 |
R |
| Reaping,
The |
1 |
R |
| Cruise/Wagner |
Paula
Wagner
Tom Cruise |
Ask
the Dust |
5 |
R |
100% |
| Suspect
Zero |
1 |
R |
| Elizabethtown |
1 |
PG-13 |
| Mission:
Impossible |
1 |
PG-13 |
Table
2. Producers of two or more films, all smokefree,
2004-7 |
| Production
company (affiliation) |
Producer |
Titles
with no tobacco imagery |
MPAA
rating |
%
of producer's films smokefree |
| Mayhem
(Disney) |
Mark
Ciardi
Gordon Gray |
Miracle |
PG |
100% |
| Invincible |
PG |
| Game
Plan, The |
PG |
| Fresh
Paint |
Jenno
Topping |
Guess
Who |
PG-13 |
100% |
| Catch
and Release |
PG-13 |
| Surviving
Christmas |
PG-13 |
| Brightlight |
Shawn
Williamson |
White
Noise |
PG-13 |
100% |
| Alone
in the Dark |
R |
| BloodRayne |
R |
| Cube
Vision |
Matt
Alvarez |
Are
We There Yet? |
PG |
100% |
| Are
We Done Yet? |
PG |
| |
Ian
Bryce |
Island,
The |
PG-13 |
100% |
| Transformers |
PG-13 |
| Bird
and a Bear |
Cedric
the Entertainer |
Johnson
Family Vacation |
PG-13 |
Smoked
in other films |
| Code
Name: The Cleaner |
PG-13 |
| Summit |
Erik
Feig |
Step
Up |
PG-13 |
100%
|
| P2 |
R |
| |
David
Giler |
Alien
vs. Predator |
PG-13 |
100% |
| AVPR |
R |
| Visions |
Eric
Rhone |
Johnson
Family Vacation |
PG-13 |
100% |
| Code
Name: The Cleaner |
PG-13 |
| Imagi
US |
Galen
Walker |
Nightmare
Before Christmas in 3-D |
PG |
100% |
| TMNT |
PG |
| |
Colin
Wilson |
Troy |
R |
100% |
| War
of the Worlds |
PG-13 |
| Producer
tables based on data from UCSF Smoke Free Movies
project; Screenit.com;
IMDbPro.com; and Thumbs
Up! Thumbs Down! a project of Breathe California
ofSacramento-Emigrant Trails. Updated August 2008.
|
A
note on the 0-5 tobacco content scale
Notice
that Table 1 shows the amount of smoking in each movie,
on a 0-5 scale. For example, an R-rated movie scoring
5 on this scale has an average 37.5 tobacco incidents,
about one incident every three minutes. Movies with
less smoking — scored 1-2 — may seem less
important. But consider:
•
Exposure is cumulative; every dose raises a teen’s
risk of smoking.
•
Movies scoring 1-2 on the scale of tobacco content account
for 40 percent of all estimated tobacco impressions
delivered to theater audiences (8.7 billion of 21.5
billion impressions, 2004-7). A few tobacco incidents
in a youth-rated film shown on two thousand screens
do more harm than a smoke-fllled R-rated movie reaching
a small, niche audience.
•
And think about it: if smoking is so fleeting in a film,
why is it there at all? If the two-thirds of recent
U.S. films that featured relatively little smoking instead
had included none, hundreds of thousands of adolescents
worldwide would be better off. Producers make decisions.
They can make this one.
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